CURSOS	VAGAS	REPERTÓRIO DAS AUDIÇÕES
Violin	34	• MOZART – 1st mvt. with cadenza of your own choice concerto • J.S. BACH – Partita or Sonata Solo (one mvt. of your own choice) MOZART – Symphony nº 39 (2nd mvt., bars 1-27) MOZART – Symphony nº 39 (4th mvt., bars 1-78) MENDELSSOHN – Midsummer Night’s Dream (Scherzo, bars 1-99) BRAHMS – Symphony nº 2 (1st mvt., bars 118-155)
Viola	14	• STAMITZ or HOFFMEISTER – Concerto (1st mvt. with cadenza) • J.S. BACH – a mvt. of your own choice from the Six Solo Suites MOZART – Symphony n° 35 (1st mvt., bars 41-71) MOZART – Symphony n° 35 (4th mvt., bars 134-181) MENDELSSOHN – Midsummer Night’s Dream (Scherzo, - ) BEETHOVEN – Symphony n° 5 (2nd mvt., bars 1-10; 49-59; 98-106)
Cello	12	• HAYDN – Concerto in C or D major (1st mvt. with cadenza) • J.S. BACH – a slow and a fast mvt. from the Solo Suites BEETHOVEN – Symphony n° 9 (4th mvt., recitativos bars 8-91;) BEETHOVEN – Symphony n° 9 (4º mov, bars 431-481) MENDELSSOHN – Midsummer Night’s Dream (Scherzo, bars 59-93) BRAHMS – Symphony nº 3 (3rd mvt., bars 1-12)
Doublebass	10	• DITTERSDORF – Concerto (1st mvt. with cadenza) MOZART – Symphony n° 40 (4th mvt., bars 154-187) BEETHOVEN – Symphony n° 9 (4th mvt., recitativos bars 8-91) MAHLER – Symphony nº 1 (3rd mvt., bars 3-10)
Flute	4	• MOZART – Concerto in G Major (1st mvt. with cadenza) • J.S. BACH – Partita in A Minor (Corrente) MENDELSSOHN - Midsummer Night’s Dream (Scherzo, bars 338-385) BRAHMS – Sinfonia n° 4 (4° mov., compassos 93-105) DEBUSSY – L’après-midi d’un faune (Prelude)
Oboe	4	• MOZART or HAYDN – Concerto (1st mvt. with cadenza) • J.S. BACH – Partita in G Minor (Allemande) ROSSINI – La scala di Seta (bars 6-53) RAVEL – Le Tombeau de Couperin (Prelude) R. STRAUSS – Don Juan (Solo, bars 235-268)
Clarinet	4	• MOZART – Concerto (1st mvt.) BEETHOVEN – Symphony n° 6 (1st mvt., bars 474-492; 2nd mvt., bars 70-77) MENDELSSOHN – Midsummer Night’s Dream (Scherzo, bars 1-48) RIMSKY-KORSAKOV – Sheherazade (2nd mvt., Recitativo-Moderato Assai)
Bassoon	4	• MOZART – Concerto (1st mvt. and 2nd mvt. with cadenza) MOZART – Le nozze di Figaro (Overture, bars 139-171) RIMSKY-KORSAKOV – Sheherazade (2nd mvt. solo and cadenzas) TCHAIKOVSKY – Symphony nº 4 (Solo – Last 31 bars of tht 2nd mvt.)
Horn (High)	3	• MOZART – Concerto nº 4 (complete) BEETHOVEN – Symphony nº 6 (1st Horn, 3rd mvt., bars 132-161) BRAHMS – Symphony nº 2 (1st Horn, 1st mvt. bars 454-477; 2nd mvt. bars 17-31) TCHAIKOVSKY – Symphony nº 5 (Solo 2nd mvt.)
Trompa Grave	3	• MOZART – Concerto nº 3 (complete) BEETHOVEN – Symphony nº 3 (2nd Horn, Trio) BEETHOVEN – Symphony nº 9 (3rd mvt., 4th Horn, bars 82-99; 109-121) SHOSTAKOVICH – Symphony nº 5 (1st mvt., - )
Trumpet	4	• HAYDN – Concerto (1st mvt. with cadenza) MUSSORGSKY – Pictures at an Exhibition (Promenade) STRAVINSKY – Petrouchka (Ballerina Dance) MAHLER – Symphony nº 5 (1st mvt. bars 1-24)
Trombone	4	• GUILMANT – Morceau Symphonique pour Trombone et Piano Op. 88 BRAHMS – Symphony nº 1 (4th mvt., bars 47-61) TCHAIKOVSKY – Symphony nº 6 (4th mvt., - ) WAGNER – Ride of the Valkyries (bars 12-44; 58-77)
Bass Trombone	2	• LEBEDEV – Concerto in one movement BRAHMS – Symphony nº 1 (bars 47-61) ROSSINI – William Tell Overture (bars 92-147) FRANCK – Symphony in D Minor ( to bar 280)
Tuba	2	• VAUGHAN WILLIAMS – Concerto (1st mvt.) BERLIOZ – Symphonie Fantastique, ( to 6 bars after ) MAHLER – Symphony nº 1 (3rd mvt., 4 bars before - ) WAGNER – Die Meistersinger von Nürnberg (Overture – Solo)
Percussion	8	Timpani: • ELLIOT CARTER – Canaries for 4 timpani (ed. Associated Music Publishers) MOZART – Symphony nº 39 (1st mvt., bars 1-21) TCHAIKOVSKY – Symphony nº 4 (1st mvt., bars 335-352) BARTÓK – Concerto for Orchestra (4th mvt., bars 42-51) Caixa-clara: RIMSKY-KORSAKOV – Sheherazade (3nd mvt.. - ) RIMSKY-KORSAKOV – Sheherazade (4th mvt.. - ) Xilofone: GERSHWIN – GERSHWIN – Porgy and Bess (opening Solo)
Harp	2	• MOZART – Concerto for Harp and Flute (1st mvt. with cadenza) TCHAIKOVSKY – Nutcracker (Valse des Fleurs, Solo) BERLIOZ – Symphonie Fantastique (2nd mvt., bars 5-66; 191-206) BARTÓK – Concerto for Orchestra (4th mvt., bars 42-58)
Piano	10	J.S. BACH – Prelude and Fugue from the Well Tempered Clavier (one of your own choice) – one movement of a classical sonata – one piece of your own choice – sight reading

Candidates unable to be present at the auditions, must send a good quality recording on CD, DVD or VHS tape, with the repertoire required in the section “REPERTOIRE FOR THE AUDITIONS”, besides the required documents, with postmark until April 15th to the Centro Tom Jobim.

REPERTOIRE AND REQUIREMENTS FOR THE SELECTION OF THE COURSES: OPERA SINGING, COMPOSITION, CONDUCTING AND TECHNIQUES FOR CLASSICAL MUSIC RECORDING

CURSOS	VAGAS	SELEÇÂO
Opera Singing and Chamber Music	6	CD, DVD or VHS recordings, with rendering of one opera aria or old song from the 17th or 18th century (ex.: Haendel, Gluck, Scarlatti, Vivaldi, Pergolesi, Caldara, Paisiello, etc.), one opera aria of free choice, and a detailed CV.
Composition	6	One music score written for instrumental ensemble of at least 4 musicians, 8 minutes long, with or without an electroacoustic segment, and detailed CV
Conducting	6	Quality DVD or VHS recording showing the applicant conducting a music piece (traditional repertoire), and detailed CV.
Techniques for classical music recording	6	Detailed CV (with comproved experience).]

 

ATTENTION

• There will be no auditions for the courses of conducting, composition, opera singing and techniques for classical music recording. Check the procedures in the above chart.
• The evaluation will be done through the analysis of the above listed material and no contestation will be allowed.
• The students must apply for the auditions at 9am if choose the morning period, or 2pm if choose afternoon period. The auditions order will be determined upon arrival.

Credits